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The Badshahi Mosque in Lahore
The Badshahi Mosque in Lahore
The Badshahi Mosque in Lahore,
commissioned by the sixth Mughal Emperor Aurangzeb in 1671 and completed in
1673, is the second largest mosque in Pakistan. Epitomising the beauty, passion
and grandeur of the Mughal era, it is Lahore’s most famous landmark and a major
tourist attraction.
The architecture and design of the
Badshahi Mosque closely resembles that of the smaller Jama Mosque in Delhi,
India, which was built in 1648 by Aurangzeb’s father and predecessor, Emperor
Shah Jahan. Its design was inspired by Islamic, Persian, Central Asian and
Indian influences. Like the character of its founder, the Mosque is bold, vast
and majestic in its expression. The steps leading to the Main Prayer Hall
and its floor are in Sang-e-Alvi (variegated marble). The Main Prayer Hall is
divided into seven sections by means of multi-foil arches supported on heavy
piers, three of which bear the double domes finished externally in white
marble. The remaining four sections are roofed with flat domes.
History of Badshahi Mosque
The mosque was built under the
patronage of the sixth Mughal Emperor, Aurangzeb Alamgir. It was completed in
1673 under the supervision of Aurangzeb's foster brother Muzaffar Hussain (also
known as Fidaie Khan Koka) who was appointed governor of Lahore in May 1671 and
held this post until 1675. He was also Master of Ordnance to the emperor.
The construction of the mosque took
about two years, from May 1671 to April 1673. The mosque was built opposite the
Lahore Fort, illustrating its stature in the Mughal Empire. In conjunction with
the building of the mosque, a new gate was built at the fort, named Alamgiri
Gate after the Emperor.
From 1852 onwards, piecemeal repairs
were carried out under the supervision of the Badshahi Mosque Authority.
Extensive repairs were carried out from 1939 to 1960 at a cost of about 4.8
million rupees, which brought the mosque to its original shape and condition.
The blueprint for the repairs was prepared by the late architect Nawab Zen Yar
Jang Bahadur.
In 2000, the repair work of marble
inlay in the main vault was repaired under the supervision of Saleem Anjum
Qureshi. On the occasion of the second Islamic Summit held at Lahore on
February 22, 1974, thirty-nine heads of Muslim states offered their Friday
prayers in the Badshahi Masjid, led by Maulana Abdul Qadir Azad, the 'Khatib'
of the mosque.
Recently a small museum has also
been added to the mosque complex, which contains relics of Muhammad, his
cousin, and his daughter, Hazrat Fatima Zahra.
What to See at Badshahi Mosque
Like the character of its founder,
the mosque is bold, vast and majestic in its expression. It was the largest
mosque in the world for a long time. The interior has rich embellishment in
stucco tracery (Manbatkari) and panelling with a fresco touch, all in bold
relief, as well as marble inlay.
The exterior is decorated with stone
carving as well as marble inlay on red sandstone, specially of loti form motifs
in bold relief. The embellishment has Indo-Greek, Central Asian and Indian
architectural influence both in technique and motifs.
The skyline is furnished by
beautiful ornamental merlons inlaid with marble lining adding grace to the
perimeter of the mosque. In its various architectural features like the vast
square courtyard, the side aisles (dalans), the four corner minarets, the
projecting central transept of the prayer chamber and the grand entrance gate,
is summed up the history of development of mosque architecture of the Muslim
world over the thousand years prior to its construction in 1673.
The north enclosure wall of the
mosque was laid close to the Ravi River bank, so a majestic gateway could not
be provided on that side and, to keep the symmetry the gate had to be omitted
on the south wall as well. Thus a four aiwan plan like the earlier Delhi Jamia Masjid
could not be adopted here. The walls were built with small kiln-burnt bricks
laid in kankar, lime mortar (a kind of hydraulic lime) but have a veneer of red
sandstone.
The steps leading to the prayer
chamber and its plinth are in variegated marble. The prayer chamber is very
deep and is divided into seven compartments by rich engraved arches carried on
very heavy piers.
Out of the seven compartments, three
double domes finished in marble have superb curvature, whilst the rest have
curvilinear domes with a central rib in their interior and flat roof above.
In the eastern front aisle, the
ceiling of the compartment is flat (Qalamdani) with a curved border (ghalatan)
at the cornice level. The original floor of the courtyard was laid with small
kiln-burnt bricks laid in the Mussalah pattern.
The present red sandstone flooring
was laid during the last thorough repairs (1939-60). Similarly, the original
floor of the prayer chamber was in cut and dressed bricks with marble and
Sang-i-Abri lining forming Mussalah and was also replaced by marble Mussalah
during the last repairs. There are only two inscriptions in the mosque: one on
the gateway and another of Kalimah in the prayer chamber under the main high
vault.
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